Our famed copywriter, Brooke, is currently spending a leisurely weekend in the state of [redacted]. Therefore, the blogpost will be postponed until her well-awaited return.
Read MoreThere is absolutely no interesting way for me to explain to you the events of this film. In a nutshell, Versace sets the tone by including 10 solid minutes of opening credits laid over a static shot of a lake. Y’all, he even included opening credits for Key Grip. It was weird.
Read MoreThis week, “Naptime Nightmares” really lives up to its name. This movie was a nightmare. There are no redeeming qualities (except maybe Drew Monson, but he played a rapey creep so it’s still bad). Every single moment of this “movie” was agony, and we both actively wished for the sweet release of death for the entire duration.
Read MoreOur next episode will focus solely on resources for combating internalized and externalized racism, recommendations for black-run podcasts, literature, stores, and other media. [But]…we do in fact have a bad horror movie review. While it was initially intended to be a sort of comedic break from some of the horror of real life, it ended up also being a commentary on internalized, systemic racism. Hooray!
Read MoreAhh, what can be said that hasn’t already been said about The Wicker Man? Almost nothing, according to my Letterboxd research - but we’re still going to try! On this our glorious bad-horror minisode day, we’re reviewing the absolute pile that is the 2006 adaptation of the folk horror classic.
Read MoreWe’re doubling up on our bad-horror minisodes because, man, don’t we need a little levity in our lives? And we sure got what we bargained for. Truth or Dare (the 2017 Netflix version, not the 2018 Blumhouse version) is a giant bag of questionable decisions - and not just from the characters.
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